jeudi 29 septembre 2016

Marvel's Luke Cage Premiere Review


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He's not a hero for hire yet -- but he soon will be.

This review of Luke Cage's first episode does not contain full spoilers, and was posted in advance of the series premiere on Netflix. We'll be writing separate -- more spoiler-filled -- reviews for the additional 12 episodes of Luke Cage once it premieres on September 30th.

Luke Cage is more than a new Marvel standalone series -- it's new territory for Marvel and Netflix's partnership. This is the first series n the two companies' collaboration that spins off a new show based on a previously established character, though the show doesn't spend much time acting as a sequel or catching people up on what's happened to Luke since his exit in Marvel's Jessica Jones.

That's fitting for the new series from showrunner Cheo Coker (Ray Donovan). Early on in the episode, Luke is even advised not to linger too much on the past; to look forward, not back. It's a good metaphor for how Coker approaches the continuation of Cage's story. There's a brief acknowledgment early on of Jessica as the "rebound chick" (Luke still gets headaches from that shotgun blast to the head) but Luke Cage is much more interested in what comes after that Marvel series.

Now Luke's fully trying to stay under the radar and not cause any trouble, working two jobs under the table and barely able to pay his rent. It's through his small, quiet life that viewers are introduced to the bigger threats unfolding, though at least in the first episode the viewer is far more aware of them than Luke is. As much as Luke's relationship with Jessica Jones was a key part of her series, his own show is far more focused on exploring his relationship with his late wife Reva, his time in prison and the experiments that left him bulletproof.

Mahershala Ali's Cornell Stokes -- aka Cottonmouth -- is the most intriguing new character from the start. He's a man who views himself as the king of Harlem. There's little subtly establishing that: Stokes has a massive portrait of Biggie Smalls hanging in his office, crown on his head. One of the best scenes in the first episode has Stokes standing in front of it so it appears as though he's wearing the crown -- again, not subtle, but still effective.

For all his control of the Harlem drug trade and claws in the government thanks to his cousin, Councilwoman Mariah Dillard (Alfre Woodard), it's established pretty early on that several threats could topple the castle Stokes has built for himself. The mysterious Diamondback is exerting his presence through the muscle of Shades (Sons of Anarchy's Theo Rossi), a former convict who shares a history with Luke from his time in prison, which is one of the biggest hints of the conflict to come. Meanwhile, police detective Misty Knight (Simone Missick) is seemingly working to try to figure out what illegal things Cottonmouth is up to.

The casting in Luke Cage is fantastic, from Ali to Woodard (who, it should be reminded, is playing a different character than her role in Captain America: Civil War) to Rossi to Missick. The plotting of the premiere is fairly slow, taking its time to settle into the drama in Harlem. It's a staple of Netflix's brand of drama to have a slow burn introduction, but both Jessica Jones and Daredevil had better hooks in their first episodes than this does.

There's a good amount of promise here, and Coker imbues Luke Cage with a very different feel than Daredevil or Jessica Jones. The premiere focuses on laying groundwork for the conflict and setting up Luke's eventual decision to become a superhero instead of just an on-the-run vigilante. Beyond references to the "Incident" and more than one notable MCU businessman, Luke Cage begins by avoiding its title character's superhero identity as he tries to stay off the radar. But by the end of the episode, the path he has to become a hero (for hire?) begins to reveal itself.

The Verdict

Luke Cage doesn't explode out of the gate in its first episode, which starts off slow and seems to only scratch the surface of the conflict ahead. The first episode doesn't bother spending too much time catching viewers up on Luke's time since Jessica Jones, instead establishing new troublemakers Cottonmouth and Shades. But Luke Cage is an interesting character and the talent both in front of and behind the camera on the show is top notch, earning it the right to take a slow start and build up to the big picture.

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