lundi 2 mai 2016

Elstree 1976 Review


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Stories by the actors behind Star Wars come together in a sweet, melancholy film.

Elstree 1976 is a very personal series of stories from people whose lives have been specially touched by Star Wars’s phenomenal popularity. Director Jon Spira delivers a sequence of intimate, melancholy, and candid interviews with the working actors who brought the Stormtroopers, bounty hunters, and bizarre cantina aliens to life.

Fighter pilots waiting

Fighter pilots waiting

If you saw these people on the street, you’d likely never recognize most of them. Many had their faces obscured by helmets, masks, or prosthetics. But they were privy to one of the great film-making experiences of a lifetime, and they have stories to tell. No history-shattering revelations or scandals come to light, but rather the simple, treasured memories of largely unknown talents who became part of something utterly unique. If you want to hear about the on-set friendship a bit-part actor formed with Mark Hamill, or the time someone accidentally ordered George Lucas to go fetch a coffee, you’re in the right place.

Boba Fett

Boba Fett

There’s very little interplay between the individual narratives, especially early on as we get to know the many players in Elstree’s quiet drama. The granular attention to so many different paths tends to make the first half of the movie a bit unfocused. Elstree might have benefited from a smaller pool of contributing voices, or from an edit that gave a more unified impression of the actors’ experiences.

Actor Angus MacInnes

Actor Angus MacInnes

The pacing picks up after the midway point when we begin to see more connection with the greater Star Wars legacy and its aftermath. The stories of surprise and bemusement among the actors reacting to the rise of Star Wars fan conventions are charming in their warmth and genuine humility. The rivalries hinted at in the Elstree trailer aren’t so dramatically manifest in the final product. There’s a little bit of griping among some of the actors about autograph signing at events, but the complaints don’t seem particularly mean-spirited. Even David Prowse’s allusions to a deteriorating relationship with Lucas are delivered with gentleness. In Elstree we see smiles and passion and occasionally regret, but very little hostility or bitterness.

Greedo Action Figure

Greedo Action Figure

The interviews really are the bread and butter of Elstree 1976, but there’s precious little new imagery from the Star Wars set to add more captivating visual context. Elstree 1976 would have been a better movie with more access to behind the scenes footage to compliment the stories being told. Instead, we get close ups of action figures, convention footage, and cutaways to the actors' day-to-day modern lives.

Actor David Prowse

Actor David Prowse

A note of melancholy hangs over the whole proceeding. None of these people’s careers peak in the vast fame or fortune of Hollywood stardom, though some made full careers of their thespian aspirations. Others have since drifted into a variety of other endeavors. With these legacies come stories of joy and fulfillment, but also of struggles with depression and coping with the challenges of a difficult vocation.

The Verdict

It’s the rare Star Wars story that hasn’t already been told, retold, dissected, and analyzed, but Elstree 1976 mostly succeeds in its attempt to shed light on the people behind the makeup and masks. Here there is humility and jealousy, gratitude and bemusement, eloquently and touchingly recounted.

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dimanche 1 mai 2016

Penny Dreadful: Season 3 Premiere Review


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Dark therapy.

Warning: Full spoilers for the episode below.

It might be a safe, if unsettling, assumption that we could be walking into the final season of Penny Dreadful. I don't know anything for certain, mind you, but the reduced order (only by one episode, compared to Season 2) and the leap into what could be a show-stopping villain/big bad maybe indicate certain things. That being said, "The Day Tennyson Died," Dreadful's Season 3 premiere, was a hell of a ride. Doing what this show does best which is exploring the beauty and poetry behind gothic horror with dialogue that both renders plot and reveals heart.

The team is now scattered, as much as we could ever truly call them a "team." Victor's at his drug-addled wit's end about Lily, Ethan's trapped back in the New Mexico territory, in custody, and Sir Malcolm's off in Zanzibar. Vanessa, at home with her haunted soul, finds herself in such a dire state of depression that she actually takes Ferdinand's advice about seeing a therapist/alienist - a totally new form of treatment for the era.

And then, lurking behind it all...Dracula. Bam! What an awesome surprise there at the end. Basically, the show's main villain though Season 2 would reveal that Dracula is but one half of Lucifer's fallen form). The one who's been teased since the very start. Since Malcolm and Vanessa recruited Ethan to help rescue Mina. The disguised monster who capture Mina and used her against her own family. Now out in full force for Vanessa, using transformed subordinates. Those who look human, as Mina did, and not the creature feature ones from the show's beginnings.

So I'm definitely excited about this turn of events. Plus, we met Renfield (Samuel Barnett) too. The sniveling servant who'll now be spying on Vanessa. Reminding me that, back in Season 1 we met a Renfield type in the form of "Fenton." So this season has the makings of being something really ghoulish and wonderful. They just need to get the band back together. Somehow. Though that might now be a quick fix. Could take all season, in fact. Dreadful seems to love splintering these characters more than congealing them.

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I wasn't a huge fan of how Shazad Latif's Dr. Jekyll was brought into the story (an old friend of Victor's who we'd never heard of, who just so happened to be totally into a weird-yet-totally-serpartate untapped field of fringe science), but I did like how he wound up convincing Victor that he could make Lily docile and obedient. Because there's the fall. Victor, at first wanting to destroy his abomination, giving into his lust (which never left) and opting to try and mend his ego by making a pet out of her. I hope she fillets them both.

More intriguing to me, on the doctor front, were Patti LuPone's Dr. Seward (whose resemblance to Cut-Wife Joan Clayton was explained, and made meaningful) and Christian Camargo's Dr. Sweet. An eccentric zoologist who Vanessa meets while trying to do something different with her day (doctor's orders!). Both are great additions to Vanessa's life, given that she's now mostly alone in London. One to coddle her curiosities and one to help her navigate the darkness within.

Both Ethan and Malcolm's stories were very violent, providing all of the action for the premiere - which was kind of the most brutal premiere the show's ever done. Though their stories were connected, since Malcolm was saved by West Studi's Kaetenay (a Native American surrogate father to Ethan) it was a bit of a shame that both these big, bloody action pieces came so close together. And were so similar in theme (both involved murderous rescues). Especially since the train carnage that ensued in the "liberating" of Ethan was pretty overwhelming. You know, from a straight "sheer amount of innocent lives taken" point of view.

Anyhow, it seems as though - from our hero pool - Malcolm and Ethan are to be reunited first. That or John Clare will run into Vanessa when he returns to London (as he experienced an actual memory, leftover from the man he once was).

The Verdict

From the look and feel of "The Day Tennyson Died," it seems a long road awaits our heroes with regards to a reunion. If, in fact, that's even in the cards. Perhaps these characters are never truly meant to commingle in the same way ever again. And it's enough that we now enjoy watching them all separately as they, presumedly, round out their stories. Great premiere, with a terrific twist at the end.

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Silicon Valley: "Two in the Box" Review


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"Think inside the box."

Warning: Full spoilers for the episode follow.

One of the great consistencies of Silicon Valley is its "one step forward, two steps back" approach with Richard and the Pied Piper crew, and that was no better exemplified than in tonight's new episode. For starters, "Two in the Box" took a very big step by giving the guys new offices, which felt very "tech startup" -- trendy lighting fixtures, glass panels for walls, a stocked kitchen and lots and lots of beanbag chairs. I also thought the company's new, slicker logo change was a telling sign of Jack's sneakier side this week.

Of course, as is the norm for Richard, what goes up must come down, and that began with Jack Barker hiring an unintentionally hilarious sales team. Indeed, some of the funniest moments from this episode stemmed from the salespeople butting heads with Richard, while constantly reintroducing themselves before they spoke. ("Doug, I'm shadowing Keith. Yes, he did." "Definitely, I was there. Don again.")

Like I mentioned last week, I wasn't sure whether Jack was actually going to be a genuinely nice guy or pull the rug out from under Richard's feet. The answer, turns out, was a bit of both, which I appreciated. Rather than Jack revealing himself to be a jerk in disguise -- which has been the case for pretty much all of Richard's past consultants -- it seems like Jack really does have the company's best interest at heart, at least from his own business-minded perspective.

Which is a great foil for Richard, who can't exactly call Jack out for being a bad guy -- because he isn't a bad guy; he's just pragmatic to the point of annoyance for Richard, and that's a great dynamic -- made only more hysterical by the inclusion of a horse insemination scene this week, which was, well... pretty hysterical. (Also, who knew you could show an erect stallion penis on HBO? Not even the R-rated Clerks II could get away with that visual!)

Meanwhile, the other subplots this week planted the seeds for some potentially fun stories down the line, although many of them weren't that humorous on their own here. Jared moving back into his  condo, for example, came with the oh-so Jared-tailored conundrum of having to deal with a stubborn tenant who won't leave -- but that alone was only mildly amusing. (Granted, I did laugh at Jared's skeleton/body "trick.") Then there was Erlich kicking Jian Yang out of the house -- or at least trying to -- but, again, these scenes were generic, especially by Erlich's standards.

Alas, we didn't see any more of Big Head this week (or his $20 million settlement), but we did see the Nucleus guys crack Richard's code, which could throw a major wrench in Pied Piper's plans, especially now that Jack and his sales team are creating an entirely different product than Richard's, which could mean the Nucleus guys will beat Richard to the punch on his original freemium model.

Speaking of which, I thought it was hilarious how the sales team took Richard's "rhetorical example of a bad idea" and turned it into the main selling point of the company -- an external hard drive, basically. No doubt, this will cause even more friction between Richard and Jack, and now between the engineers and salespeople.

The Verdict

This week's Silicon Valley stepped up the tension between Richard and Jack to good effect, as the two clashed over Pied Piper's end product. This brought about some very funny lines and scenes, including the horse insemination sequence, Jack's Google story and Richard's sales meetings. I also thought Richard's impassioned speech about delivering his product to people anywhere and everywhere was a key moment in this, and highlighted the main difference between him and Jack as creators. As for the other storylines, they pitched some funny ideas for Jared and Erlich in the future, though the storylines themselves weren't that hilarious this week. Overall, though, "Two in the Box" took some solid strides in shaking things up and building on the developments from the premiere.

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Fear the Walking Dead: "Blood in the Streets" Review


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Tight ship.

Warning: Full spoilers for the episode below.

I was all prepared to simply label "Blood in the Streets" as the best Season 2 episode of Fear the Walking Dead so far. But really, thinking back to the show's shortened first season, this would be the best episode the show's ever done to date. Not that the story wasn't built upon a bad character choice (Alicia being too trusting over the radio back in the premiere), but it was a choice made a few episodes back. And the crisis this week didn't really leave room for our heroes being inept. Bottom line: They had to rise to the occasion. They had to be clever and form a united front. And the show was better for it.

I suggested back at the very top of the season that this show needed more unifying horrors to help our ragtag band of survivors band together more. The more people shuffled off on their own and meandered about under dark clouds of zompocalypse ennui, the more the series chose to have them make bad, self-destructive choices. There needed to be a catalyst to help them all gel as a team. And walker attacks weren't exactly doing it. Though last week's beachfront stand-off did work in some respect.

In "Blood in the Streets," the Abigail was violently boarded. Invaded quickly by a small group of punk-ass pirates who were more than adept at conning boats into letting them climb up on board. All part of a group of marauders led by Connor (Mark Kelly) - a seafaring scavenger whose taken to the "murdering people to survive" lifestyle right out of the hellscape gate. With him came Jack, the young man Alicia thought she was helping back in the premiere, and Reed, Connor's mean-spirited trigger man. Along with a young pregnant woman (Veronica Diaz-Carranza) who acted as the team's bait.

So all our main characters got jumped, which forced them into individual courses of action. Independent, but all aiming toward escape. Madison, very cooly, tried to get into the pregnant girl's head while Alicia tried to play Jack. Meanwhile, Travis and Daniel sent little signals to one another so that Travis could sneak a weapon into the mix. It was really the first time, on this series, that I was rooting for our main players to win. Hell, I even started to like Chris, which was a big deal.

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And I haven't even gotten to the best part of "Blood in the Streets," which was the exploration of Strand's backstory. Or at least, via flashbacks, important notable moments that helped explain Strand's wealth, yacht, and passage to Mexico. Along with a couple of character layers that helped round the guy out as something more than a direct, coarse, logic-monster.

Dougray Scott guested here has Thomas Abigail, the wealthy real estate shark who Strand came to work for after losing all his own properties in the wake of Hurricane Katrina. And I liked this backstory a lot not just because it helped fill in gaps, but because it also kept Strand's sociopathic tendencies intact. He's not a full-blown criminal, but he is ruthless. But also honorable, in his own way. And that was important here because the undercurrent of this chapter involved Travis and Maddie having to decide whether or not to get rid of Strand, if given the opportunity. So when they ultimately chose to rescue him at the end, it felt right.

I feel like the the fact that Strand and Thomas were revealed to be lovers/partners during the final two flashback segments was supposed to come off as more of a surprise than it actually was. By then, I knew what was up with them. In fact, their first scenes together had a very intimate vibe in place, making me just assume that they were both attracted to one another. A lot of their dialogue had flirtation to it. In fact, I think my main comment would be that the entire flashback arc would have worked better if they hadn't treated Strand's sexuality as something that needed to be a third act "surprise."

Overall though, this episode worked very well. As did Nick's little side venture to get Strand's man, Louis. I didn't know what Nick was up to at all most of the time he was stumbling through that tent town, but I was intrigued. Nick, having shed his addiction for the most part, continues to be one of the most watchable and interesting characters on the show. And his lazy fearlessness only adds to his odd charm. Plus, nothing really takes him over the edge, emotionally. He's already more than willing to smear himself in guts and walk through a place with a TON of zombie hiding places.

The Verdict

"Blood in the Streets" brought our main characters together in a time of cramped, confined crisis. And with no room for squabbling between them, they came out in full force, both physically and psychologically to win the day (though Alicia being taken is still an issue). And in the show's first ever experiment with flashbacks, Strand was given a great background arc.

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What Did You Think of Tonight's Game of Thrones Episode?


While I work on the review for tonight's Game of Thrones episode, "Home," head on down and let everyone know what you thought of it.

Matt Fowler is a writer for IGN and a member of the Television Critics Association (TCA). Follow him on Twitter at @TheMattFowler and Facebook at http://ift.tt/1kiBJkp.

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